The Nature of the “Want”

The Nature of the Want
Alan Watt with L.A. hills behind

Alan Watt

Table of Contents

write 100 words a day
win a Tuscany retreat

explore upcoming
writing workshops

finish the day with a completed outline

To every action there is always opposed an equal reaction.”
– Isaac Newton

While exploring the nature of the “want” in your story, it’s important to understand that you are an artist and you cannot make a mistake in this creative process. Everything you write either belongs, or is leading you to what ultimately belongs in your story.

If you feel like your outline lacks momentum, or that you are not showing movement through conflict and action, inquire into the nature of what your protagonist wants. You will likely discover that the true nature of the want is different than your idea of the want.

Notice that your protagonist is in conflict with other characters. Through this conflict (or tension), they encounter increasing obstacles. Just when it looks like they will get what they want, there is another problem around the corner.

Life’s like that. We’re always trying to get what we want. Find order in chaos. Make meaning. Defeat the dragon. Be seen. See the light. And yet, we discover once again that lasting freedom comes from within.

It is only when your protagonist accepts the reality of their situation, that it becomes workable.

Notice how we tend to have a conscious goal attached to an unconscious desire.

For example: in Paul Thomas Anderson’s screenplay Boogie Nights, Eddie Adams wants to be special. If he doesn’t break away from his stifling, suburban existence, his life will be unimaginable. And so, he sets out on his journey by becoming a porn star — by selling himself — in the hopes of satisfying his unconscious desire to belong.

Notice his dilemma.

When they see me, then I will belong.

His dilemma can only be resolved by accepting that true belonging can only come from within, from accepting his pain and loneliness rather than seeking validation through outside vices.

In creating a compelling outline, give your protagonist a powerful want. Notice the false belief that they make out of this want. Force them to address their situation right now. Make it urgent. It is only through an active protagonist you can convey meaning.

Learn more about marrying the wildness of your imagination to the rigor of structure in The 90-Day Novel, The 90-Day Memoir, or The 90-Day Screenplay workshops.

Alan Watt with L.A. hills behind

Alan Watt

Writing Coach

Alan Watt is the author of the international bestseller Diamond Dogs, winner of France’s Prix Printemps, and the founder of alanwatt.com (formerly L.A. Writers’ Lab). His book The 90-Day Novel is a national bestseller. As Alan has been teaching writing for over two decades, his workshops and the 90-day process have guided thousands of writers to transform raw ideas into finished works, and marry the wildness of their imaginations to the rigor of story structure to tell compelling stories.

unlock the story within

Join my newsletter for writing ideas and news on upcoming workshops.

Related posts

Three-act structure

What is the Three-Act Structure?

In his book, Poetics, Aristotle laid the foundation for story structure by stating that all stories must have a beginning,...

backstory

Backstory: What to Reveal and When

Backstory includes all the events from your characters’ pasts, details about their origins, plus any essential background information necessary to...

story circle

What is the “Story Circle”?

In simple terms, storytelling consists of three things: the beginning, middle, and end. However, this basic structure can often hide...