The Value of an Outline

The Value of an Outline

Alan Watt

Table of Contents

explore upcoming
writing workshops

finish the day with a completed outline

What’s the point of an outline? Whether consciously or not, every writer is in search of a process.

A lot of writers want to dive right into their first drafts and start amassing pages. Though there are those writers who claim not to outline, upon questioning (and I’ve asked many of them) I usually discover that they do outline in some form, though they don’t always write it down. Or they do write it down, but they don’t consider note-taking to be outlining. Some writers consider outlines to limit their imagination.

And it’s true that there are some writers who set out to plot their stories so completely, they rule out any surprises along the way. They leave no wiggle room for what their characters may have to reveal down the line.

An Outline’s Purpose

As I see it, the value of an outline is to help writers see beyond their fixed ideas to a more dynamic version. This is important to discover before you lose yourself in the world of your story. You won’t have to spend days and weeks writing hundreds of pages and committing to story elements that may not survive the next draft.

When you don’t outline, you are at the mercy of your immediate impulses alone. You are left without the basic confidence that comes with ruminating over time on the most dynamic version of a story.

Outlining is often misunderstood as “figuring the story out beforehand” — but this is not the case. Without the element of surprise, you’re not making art, you’re making packing peanuts. The process of outlining involves developing a relationship to what you’re attempting to express through exploring characters in conflict.

Without doing this beforehand, the writer is often in bondage to a thinly explored idea of their story.

It can be helpful to develop a sense of a beginning, middle, and ending before starting the first draft. This often helps free writers from unnecessary anxiety.

With a basic confidence in the story, this can paradoxically allow the novelist, memoirist, or screenwriter to pursue a narrative with abandon, allowing the story to have a sense of surprise.

 

Learn more about marrying the wildness of your imagination to the rigor of structure in The 90-Day Novel, The 90-Day Memoir, or The 90-Day Screenplay workshops.

Alan Watt

Writing Coach

Alan Watt is a bestselling novelist and filmmaker, and recipient of numerous awards including France’s Prix Printemps. He is the founder of alanwatt.com (formerly L.A. Writers’ Lab). His books on writing include the National Bestseller The 90-Day Novel, plus The 90-Day Memoir, The 90-Day Screenplay, and The 90-Day Rewrite. His students range from first-time writers to bestselling authors and A-list screenwriters. His 90-day workshops have guided thousands of writers to transform raw ideas into compelling stories by marrying the wildness of their imaginations to the rigor of story structure.
Alan Watt with L.A. hills behind

unlock the story within

Join my newsletter for writing ideas and news on upcoming workshops.

Related posts

Someone measuring a piece of leather on a marketing board to visualize the question of "book outline: where do I start"

Book Outline: Where Do I Start?

Transform your draft with a book outline. Learn 5 proven methods to map your character’s journey, master story structure, and...
Image for pantser blog--woman writing in a serene café environment

The Pantser Method: Writing Without an Outline

Learn how to hone your strengths as a "pantser." Discovery-based writers often succeed with creative freedom and spontaneity, but successful...
dramatic opening

How to Outline a Dramatic Opening

Structurally, a dramatic opening functions as a hook. Emotionally, it needs to do more than just attract attention. When an...