Story is always a journey of self-discovery “The unexamined life is not worth living.” - Socrates Embarking on a creative endeavor, especially memoir writing, often brings forth a whirlwind of …
Story Structure
Exploring the Dilemma
At the heart of every story lies a dilemma. It is not a question of whether or not your protagonist has a dilemma, but rather, how effectively you've explored it. By exploring your protagonist’s …
Transformation
A fundamental understanding of transformation is crucial to having anything more than an intellectual relationship to structure. You've probably read books on three-act-structure. But it is important …
The Imperative for Dramatic Conflict
A director told me once that if you put two actors together in a scene without directing them or staging the scene, the conflict would begin to diminish. If the actors were on opposite sides of the …
Finding Home
“Home is where one starts from.” - T. S. Eliot There’s nothing more primal than our quest for home. The dilemma is that our childhood homes may have been confusing, chaotic, or even violent. …
Story is an Argument
(Image from "Big" 1988) Story is an argument. The theme (or dramatic question) is the thesis statement, and the story is the argument played out. Any argument requires opposing forces. These forces …
What Does it Mean?
Everyone has a story. It takes courage to tell it, be it memoir or fiction, because there comes a point where we must separate the facts from the truth. The challenge for the storyteller lies in …
Exploring Your Protagonist’s Dilemma
(Image from The Hunger Games, 2012) “The moment we want to believe something, we suddenly see all the arguments for it, and become blind to the arguments against it." – George Bernard Shaw Every …
Plot versus Theme
Any writer can experience that moment where you suddenly realize that your “idea” of the story isn’t going to get you to the end. Maybe you had a plan, but now the characters have changed in one way …
The Nature of the “Want”
"To every action there is always opposed an equal reaction." - Isaac Newton While exploring the nature of the "want" in your story, it’s important to understand that you are an artist and you …
Most popular posts
Story: A Journey of Self-Discovery
Story is always a journey of self-discovery “The unexamined life is not worth living.” – Socrates Embarking on a creative endeavor, especially memoir writing, often brings forth a whirlwind of fears. Among these, the fear of exposure can loom large. When recounting personal experiences, the instinct to withhold information or downplay the drama — either …
Read MoreExploring the Dilemma
At the heart of every story lies a dilemma. It is not a question of whether or not your protagonist has a dilemma, but rather, how effectively you’ve explored it. By exploring your protagonist’s dilemma, you are led to the most dynamic version of your story. Your protagonist’s dilemma is the source of your story, …
Read MoreTransformation
A fundamental understanding of transformation is crucial to having anything more than an intellectual relationship to structure. You’ve probably read books on three-act-structure. But it is important to recognize that no one has yet been able to isolate the transcendent beauty that draws us into a great story. It is one thing to analyze the …
Read MoreStory Day Workshop
This workshop is for novelists, screenwriters, show runners, memoirists, producers, directors, song writers, poets, editors, and anyone else with a desire to deepen their understanding of how to build a story.
Recent Posts
How Do You Identify the Dilemma in Your Story?
At the heart of every story lies a dilemma from which all tensions and conflicts arise. How do you identify the dilemma in your story? There are two ingredients: A powerful desire A false belief Desire If we believe that love will make us complete, we might set out on a search for it. Then …
Read MoreThe End of the Story Informs the Beginning
In Steven Covey’s book, The 7 Habits of Highly Effective People, he states: “Begin with the end in mind.” For first-time writers, this is helpful advice. But let’s clarify. When we talk about “the end,” rather than thinking about the plot, let’s consider our characters and in particular our protagonist. How is she relating differently …
Read MoreWriting Act Three: Our Hero Accepts the Reality of Their Situation
It can be frightening and exhilarating to realize that our story is bigger than we are, that in fact, it does not “belong” to us, that we are simply a channel. In Act Three of our story, our protagonist comes to a point where they accept the reality of their situation. Every writer struggles with …
Read MoreStory Structure as an Experiential Model
There is a structure to the universe. From the smallest atom to the forces that move the planets, there is a universal law. We live in a state of surrendered acceptance to it (whether consciously or not). Structure is an intrinsic aspect of our daily lives. It’s not some rigid formula that exists somewhere out …
Read MoreStory Structure
Story structure is often taught by story analysts as plot, but it is really the DNA of our protagonist’s internal journey to transformation. Without a sense of a beginning, middle and ending, you are likely going to get lost, and by having a sense of how to proportion your story you will be more aware …
Read MoreThe Lens Through Which You See Your Story
“I find that when I am working I become like an antenna, and suddenly everything relates to my screenplay: a mentioned recipe, a joke somebody tells, a billboard that I see. It all becomes grist for whatever screenplay I’m working on.” – Wesley Strick, screenwriter of Cape Fear When we begin working on a new …
Read MoreNo Dilemma, No Story
One thing that has been coming up a lot in my classes is the tendency for writers to “figure out” their plot. This is due, at least in part, to story structure being taught by story analysts as a formula, which can lead to frustration and interminable rewrites. The process of creating a story is …
Read MoreDilemma: The Source of Your Story
At the heart of every story lies a dilemma. It is not a question of whether or not your protagonist has a dilemma, but rather, how effectively it has been explored. By exploring your protagonist’s dilemma, you are led to the most dynamic version of your story. The dilemma is your story’s source, from which …
Read MoreChoice
Why do we write? Why do we spend months, years, even decades engaged in the solitary act of creating a world on paper with no assurance than anyone will read it, except perhaps our immediate family, if only to find out what we think of them? Sometimes I hear writers say that they have no …
Read MoreReframing Your Protagonist’s Goal
“Nothing worth doing is completed in our lifetime; therefore we must be saved by hope. Nothing true or beautiful makes complete sense in any immediate context of history; therefore we must be saved by faith; Nothing we do, however virtuous, can be accomplished alone; therefore, we are saved by love.” – Reinhold Niebuhr Whether you’re …
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