Blitzkrieg Writing: How to Outrun Your Inner Critic  

Turkish planes fly in formation to signify strength and might in the form of blitzkrieg writing

Alan Watt

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Blitzkrieg is not a word typically associated with the quiet, solitary act of writing. It conjures up images of brute force, and the deliberate refusal to give an opponent time to regroup. And yet that is precisely what makes it an apt metaphor for one of the most effective tools a writer can have in their arsenal. The enemy, in this case, is not a military line. It is the inner critic that sets up camp between you and the blank page. It’s the voice that insists every sentence be perfect before the next is allowed to exist.

Most writers know this voice well. It is the reason a paragraph takes an hour, or a chapter sits unfinished for weeks. It is the reason a story that once felt urgent and alive in your imagination becomes cautious and stiff on the page. Blitzkrieg writing is a direct response to that problem. 

In this article, I’ll break down what blitzkrieg writing is, the psychology behind it, and how you can use this technique. Finally, I will provide you with a Story Weapon you can use to start writing immediately and push past resistance.

Blitzkrieg writing is a necessary tool for a writer to lean on in moments of struggle. The name is borrowed from a German war tactic and is similarly employed to write without pausing and move quickly through scenes. By writing undistracted and moving forward relentlessly in thirty minute sessions, you can make projects more manageable and get to the end of your story before going back to edit.

What does blitzkrieg mean?

Blitzkrieg is a German term that can be translated as “lightning war.” It was a German tactic used to concentrate attacks on a chosen point and swiftly break through military lines. Their goal was to avoid a long war, and they were greatly successful with this method in the early phases of World War II. 

It was a military operation with the following characteristics: speed, a surprise effect, concentrated forces, and minimal delay. A blitzkrieg was all about striking swiftly and decisively, moving forward without making compromises.

In writing terms, a blitzkrieg is a creative drafting method where you: 

  • write quickly without pausing
  • avoid overthinking things
  • focus on moving through scenes

It’s writing in a full burst sprint, pushing forward constantly without editing anything or fixing mistakes. 

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The psychology behind blitzkrieg writing

Before I talk about how to use this method, it’s important to understand the psychology behind it and why it works so well.

Most writers don’t have any difficulty generating new ideas. You might have binders of random notes and the beginnings of story concepts. The struggle comes later, when the inner critic moves in and starts renovating. You stop to evaluate every sentence before they’ve had a chance to become anything. The writing slows to accommodate the doubt, and eventually that doubt occupies more of the desk than the work does. That is the problem blitzkrieg writing is designed to solve. 

When you write quickly and continuously, something interesting happens: your brain shifts from critical mode to creative mode. Instead of analyzing, judging, and picking at every word, you begin to follow your instincts, make faster narrative decisions, trust your voice, and stay engrossed in the story. 

This is often called a “flow state” where it feels like the muse is flowing through you. Blitzkrieg writing can help you reach that state. 

When should you use blitzkrieg writing?

A girl sits with an empty page and all the creative tools that she needs but deep in thought on when to start her writing process, needing blitzkrieg writing to solve her problem

Blitzkrieg writing is a tool. Like any tool, it works best in specific situations. Here’s when it’s most effective:

1. When you’re starting a new project

Starting is often the hardest part of writing anything. You have an amazing idea in mind, and start playing with some opening lines. After a few minutes of scribbling, you start to think about all that goes into a book or screenplay, how hard the writing process will be, etc. Doubts creep in one after another until you put it aside for later, or worse, give up on the story altogether. 

Rather than spend time planning or thinking about how to get that perfect first sentence out, blitzkrieg writing jumps right into it. Get your ideas down on paper. They don’t have to be perfect. Your aim is not to “wow” anyone here, but to simply overcome that initial hump of having a completely blank piece of paper in front of you. 

Most of the time, you’ll find that after getting a couple of paragraphs written, you’ll stop feeling so much pressure.

2. When you’re stuck in the middle

The middle section of the manuscript tends to be the area where most writers lose momentum and motivation. The beginning is full of energy, the end has a definite direction, but the middle? It’s not always clear how to get from point A to point B. 

A boat sits alone in the ocean to represent being stuck in the middle, a good time to employ blitzkrieg writing

This is precisely where blitzkrieg writing comes in handy. Your main task is to keep writing, without putting too much thought into the quality of the prose. 

The one caveat I will offer is that it is helpful to develop an outline in order to have a basic roadmap through the middle of your story. Otherwise, this stuckness may not be a function of procrastination or perfectionism, but rather an inability to see how to further the narrative. 

3. When you keep going back to edit instead of writing

This is one of the most common traps writers fall into. You start out writing, but then, instead of progressing, you start to go back over your work. You tweak the sentences, change the wording, and read through the paragraphs multiple times over to see how they can be improved. You think you are being productive, but the reality is that you are not writing. You are merely editing an unfinished work that hasn’t had a chance to breathe yet.

The blitzkrieg method ensures that you keep moving forward. There is no room for overthinking sentences and second-guessing your decisions. Give yourself permission to write poorly in the first draft. Your work will feel unpolished, and that’s ok. It might seem impractical at first, but it will save you a lot of time. The fact is that until you get to the end of your first draft, it is virtually impossible to truly understand the story you are telling. It is only in writing the climax that you will be led to an experience of your protagonist’s transformation.  

The chief benefit of this technique lies in the fact that editing will be much easier when you have clarity on the story you are actually telling. 

Please note: Writing fast doesn’t mean writing carelessly or rushing. It simply means resisting the urge to make everything perfect on the first attempt.

The two-phase writing process (Where blitzkrieg fits)

Two people sit next to each other sharing a fun moment to visualize the two-phase writing process of blitzkrieg writing modes

If you want to use this method effectively, you need to separate your writing into two clear phases:

Phase 1: Creation (Blitzkrieg Mode)

  • Outline
  • Write quickly
  • Don’t edit
  • Keep moving forward

Phase 2: Refinement (Editing Mode)

  • Slow down
  • Improve clarity
  • Fix structural issues
  • Polish the prose

Many writers try to do both at the same time, and that’s where things tend to break down. When you try to write the polished version before writing your first draft, you will almost invariably get stuck. Blitzkrieg writing protects the creation phase from your inner critic and other interferences by keeping you in your right brain, which is the seat of your genius.

How to practice blitzkrieg writing

Let’s make this practical. Here’s a simple way to apply blitzkrieg writing to your workflow.

Step 1: Set a time limit

The time limit is what gives this method its edge. If you decide to write for an indeterminate amount of time, you’ll lose concentration easily. You might pause when something doesn’t seem right or get bored if things aren’t progressing enough. So the time limit provides a definite period for you to focus more efficiently. Try 20, 30, or 45 minutes. That’s long enough to get into it, but not so long that it feels overwhelming. 

You can do this repeatedly, writing 20 or 30 minutes, for example, followed by a 5 minute break, and then repeating it. Use a timer for this. The 5-minute break is like a little reward to yourself. This is where I will get up and stretch my legs, grab a glass of water, and when the timer buzzes, I get back to work. I approach it like a game I play with myself, and at the end of the writing day, there is a real sense of accomplishment.

Step 2: Remove distractions

Okay, this step may sound obvious, but you have to follow through on it. You can’t practice blitzkrieg writing by constantly switching windows or tabs, and surfing different resources. 

Having a phone nearby while planning is pretty in concept but blitzkrieg writing requires one to be freed of all distractions.

Before you start, clear the area of all distractions. Close all other applications, turn off your phone, and let your document fill the whole screen on your computer.

Step 3: Start writing immediately

Normally, you might spend a couple of minutes planning your work. You might be outlining or considering how to start your story properly. However, this is the catch: the more you postpone starting to write, the higher the chances are that you will overthink things.

So instead, get started right away. Simply write, and even if you understand that some of the initial sentences are off, don’t worry. Just keep going until you step into the swing of things.

Step 4: Don’t stop

Once you begin writing, there is no looking back or pausing midway. Not even when you hit a snag do you give up on your stream-of-consciousness. Keep writing, despite everything. Complete the 20 or 30 minutes, and then, take a break.

If you pause, you switch off your creative mind and turn on the critical side of your brain. This opens the way to self-criticism and a loss of momentum.

Step 5: No editing allowed

This is the part that probably feels the most uncomfortable, but it’s the most important. You must not edit what you have written. Save that for later. Write freely without worrying about whether or not you have used the best words to convey your ideas. 

A woman stands, free, atop a cliff working easily on a painting while absorbing the elements as she is freed by the pleasure of blitzkrieg writing

Think of it this way: you can’t edit what doesn’t exist. So for now, just let it exist exactly as it comes out. I promise that if you write this way, you are guaranteed to surprise yourself with what emerges. 

Why this method works so well for procrastination

Procrastination isn’t about laziness. It’s about resistance.

Blitzkrieg writing reduces resistance by:

  • Lowering expectations
  • Removing pressure
  • Creating urgency

Instead of thinking, “I need to write something great,” you shift to a different mindset. “I just need to keep moving.” That small shift makes a big difference, and allows you to break through any lines of resistance.

The real goal of blitzkrieg writing is about getting the push you need to reach the other side of your creative work. Once you get that push: ideas come easier, writing feels lighter, and finishing becomes possible. A completed rough draft is what separates writers who dream from writers who produce.

Your story weapon: The 30-minute blitz session

Here’s a simple way to apply everything you’ve learned.

Set a timer for 30 minutes. Pick a scene, topic, or section you’ve been avoiding. Then follow these rules:

  • Write continuously until the timer ends
  • Do not edit anything
  • Do not stop moving forward
  • If you get stuck, write through it

At the end of 30 minutes, stop and take a break.

What you’ll notice:

  • You’ve probably written more than you expected
  • The resistance is lower
  • The project feels more manageable

Repeat this blitzkrieg style of writing daily, and you’ll build something powerful: a consistent writing habit driven by momentum, not perfection.

In fact, these are the principles that I follow and teach in my 90-day novel and memoir workshops. This is why my students have such a high rate of success in completing their first drafts in 90 days. I always tell them what was impossible to accomplish in ten years becomes possible in 90 days because you are not going back and rewriting.

Lastly, the 30-minute Blitzkrieg is just a suggestion. If 30 minutes feels too long, then reduce it. Make it 20 minutes, or even 15 or 10. You can even make it about the number of words, ie: “Fill the page with words, and then take a 5-minute break.” 

The point is to get the words down fast and focus on getting to the end of your story before going back and editing. Blitzkrieg writing could help you get there. 

Momentum is built one page, one risk, and one return to the writing desk at a time. Join one of my next workshops: The 90-Day Novel, The 90-Day Memoir, Story Day, where writers learn how to harness discipline, trust the process, and finish the work that matters most to them. 

Alan Watt

Writing Coach

Alan Watt is a bestselling novelist and filmmaker, and recipient of numerous awards including France’s Prix Printemps. He is the founder of alanwatt.com (formerly L.A. Writers’ Lab). His books on writing include the National Bestseller The 90-Day Novel, plus The 90-Day Memoir, The 90-Day Screenplay, and The 90-Day Rewrite. His students range from first-time writers to bestselling authors and A-list screenwriters. His 90-day workshops have guided thousands of writers to transform raw ideas into compelling stories by marrying the wildness of their imaginations to the rigor of story structure.
Alan Watt with L.A. hills behind

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