Humor in Writing

Humor in Writing

Alan Watt

Table of Contents

explore upcoming
writing workshops

finish the day with a completed outline

There is nothing less funny than writing about humor. I was a standup comic for years. Every once in a while after a show, some dude would come up to me wanting to discuss my act. I’d cringe while listening to the person attempt to intellectualize the mysterious process of getting laughs. And now, here I go.

Humor isn’t about telling a funny story. It’s not relegated to a genre, but is about finding the irony and the contradictions inherent in the human experience.  

It is the sign of a curious and insightful writer. I don’t mean one-liners. I’m talking about having a emotional sense of your story, of appreciating the madness of life and approaching it with a certain detachment. If the story is grim and the voice is entirely grim, playing the same haunting note, we are unlikely to be moved. We need air. Humor connects us and ironically allows us to plunge deeper into the drama. Shakespeare was vitally aware of this. Humor opens our hearts and draws us in so that we can truly be affected by the story. 

 

Learn more about marrying the wildness of your imagination to the rigor of structure in The 90-Day Novel, The 90-Day Memoir, or The 90-Day Screenplay workshops.

 

Alan Watt

Writing Coach

Alan Watt is a bestselling novelist and filmmaker, and recipient of numerous awards including France’s Prix Printemps. He is the founder of alanwatt.com (formerly L.A. Writers’ Lab). His books on writing include the National Bestseller The 90-Day Novel, plus The 90-Day Memoir, The 90-Day Screenplay, and The 90-Day Rewrite. His students range from first-time writers to bestselling authors and A-list screenwriters. His 90-day workshops have guided thousands of writers to transform raw ideas into compelling stories by marrying the wildness of their imaginations to the rigor of story structure.
Alan Watt with L.A. hills behind

unlock the story within

Join my newsletter for writing ideas and news on upcoming workshops.

Related posts

A woman at attention watching someone perform in the foreground and a captive audience behind her suggest the way to write a cumulative sentence that would pull an audience in.

The Cumulative Sentence: How to Write Lines that Pull Readers In

The cumulative sentence is a versatile sentence structure that helps writers develop rhythm, reveal character, and enrich description within a...

A travel guide in the center of frame telling everyone else about something passionately as a visual metaphor for how writers can use dialogue tags in their storytelling

Dialogue Tags: The Art of Guiding Conversation 

Dialogue tags are essential to keeping up the illusion of storytelling. Dialogue ceases to be words on a page, and...

A painterly illustration of the scapegoat to suggest an approach to writing one effectively in literature

The Scapegoat: Why Your Characters Need Someone to Blame

Typically, we view a scapegoat simply as a plot device — an innocent bystander blamed for a criminal act, or...